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Catalyst
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PostPosted: 22:47 - 20 Nov 2011    Post subject: DJ Mixing Reply with quote

I know a fair few people on here have done a bit of mixing or DJ'ing at one point or another and i'm seriously looking at trying to get into it. Never even as much as touched a set of decks or CDJ's etc, played guitar for about 5 years but that's it.

I seem to be able to hear and pick out a good DJ when listening to sets and want to start doing my own. Anyone know the best place to start? I'm looking to mix Drum & Bass, Breakbeat and maybe a bit of Dubstep as well.

What equipment & software is best to start with, without blowing my bank account to bits? I've looked on a few DJ forums but they all seem a bit wishy washy or too technical.

Any help much appreciated Thumbs Up
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iMark
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PostPosted: 23:41 - 20 Nov 2011    Post subject: Reply with quote

FL Studios aka "Fruity Loops"

Music making program, you can also connect a keyboard, guitar etc etc. if you have the right leads and components on your PC.

That's the only thing I can suggest for music making Smile Not sure on any specific DJ things.

That program with time can be learned and used quiet easily from what I've heard and seen.
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D O G
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PostPosted: 00:51 - 21 Nov 2011    Post subject: Reply with quote

Get one of these, and torrent Virtual DJ Pro. An easy find, or ask someone to chuck it on a USB and send it to you if you are not au fait with the torrenting. Wink

This will allow you to mix digitally with your laptop for essentially fuck all money. You will need an amp or a hi-fi with an input, but I suspect you have that already.

The Herc mk4 and VDJ will let you do a lot of stuff, and is a great way of getting into (or back into in my case) mixing. Very user friendly, good results and dirt cheap. If you don't get into it, sell it on, lose maybe £50. Easy.
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5v3d3b0
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PostPosted: 04:13 - 14 Dec 2011    Post subject: Reply with quote

While the hercules might be a bit of fun it's not "real" mixing with VDJ as you just press sync to beatmatch the tracks.
It's a good starting point though and if you enjoy it later down the line you can get some vinyl turntables or cdjs.
I got a pair of vinyl tts for 100 quid on ebay, pretty shit decks but they did the job for learning. Later down the line I got a pair of cd players (stanton c.324) and am now sharing equipment with a housemate so we've got 2 Technics sl 1200s along with my cd players and a decent mixer.
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Frost
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PostPosted: 04:48 - 14 Dec 2011    Post subject: Reply with quote

A mate had a really cool system. It was 2 decks with special records on hooked up to his PC which acted as the mixer. You then selected mp3's for each deck and the special records controlled their playback allowing you to mix like it was vinyl.
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D O G
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PostPosted: 11:50 - 14 Dec 2011    Post subject: Reply with quote

Which entirely defeats the point of digital mixing.

You have all the drawbacks of vinyl, but lose the sound quality.
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oldpink
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PostPosted: 11:54 - 14 Dec 2011    Post subject: Reply with quote

you could try the local hospital radio station if they have one
there always looking for volunteers and its a good place to start
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Frost
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PostPosted: 12:23 - 14 Dec 2011    Post subject: Reply with quote

D O G wrote:
Which entirely defeats the point of digital mixing.

You have all the drawbacks of vinyl, but lose the sound quality.


Depends on your audio file quality. something like flac rips of a CD are good quality. The main drawback to vinyl is the size of your record collection and trying to find that next record in time. playing from a computerised file list eliminates that. The problem with playing from CD's or on a computer is that it lack the tactile aspect of it. Also a decent mixer is damn expensive, so why not save some cash when you're first starting out and use your PC as a mixer?
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D O G
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PostPosted: 13:31 - 14 Dec 2011    Post subject: Reply with quote

Main drawback of vinyl is the perfect syncing of the beat, and lack of flexibility when in the track for looping, instant changing to different points in the track seamlessly etc etc, which are the benefits of digital mixing.

I agree with the sound quality bit - wav files are so good that you have to be an incredibly sensitive listener to tell them from vinyl. And the setup has to be very good.

In fact, a couple of weekends ago my friend conducted an experiment on quality of sound from digital files of mp3's at 128, 192, 256 & 320 kbps, and a wav file for the same track. His system is very good. The difference once above 192kbps was only very slight, and neither of us could tell between the 320 and the wav file.

Back to the timecode vinyl - IMO that was only really a bit of a 'gimmick' to allow those used to mixing on turntables to start using digital media. I don't think anyone seriously uses it. Certainly not professionally.
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Marcg868
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PostPosted: 14:25 - 14 Dec 2011    Post subject: Reply with quote

I used to use timecode vinyl with a expensive pair of Turntables and Serato.

Now i have a Traktor kontrol s4 using Traktor pro. Its a more expensive version of a Hercules. You don't have to use beat sync and can use it as you would a pair of CDJ's.

https://3.bp.blogspot.com/_ykTn-YE6QFM/TVB80uFlzMI/AAAAAAAAAQ0/_0s8ldfxuv4/s1600/a.provider%252Cm.159811%252Cmod.media%252Cdown.true%252Cth.normal%252Cs.pictures.jpg

Great piece of kit for when you get into. But try a Hercules or Numark mixtrack pro to start off with. Don't use VDJ its shit try traktor.
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deleted111
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PostPosted: 19:32 - 14 Dec 2011    Post subject: Reply with quote

Watching this thread with interest!
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deleted111
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PostPosted: 19:36 - 14 Dec 2011    Post subject: Reply with quote

Whilst I'm here, what minimum PC specs would you guys recommend? I run FruityLoops on my machine but it's slow as hell, my pc is ancient.
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5v3d3b0
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PostPosted: 20:48 - 14 Dec 2011    Post subject: Reply with quote

I know of several professionals that use serato, Dj Hype for example who is one of the biggest drum and bass djs out there.
If you scratch a lot serato is great because you can easily make your own scratch sample mp3s, and you can still loop beats etc on top of tracks. And the feeling of using vinyl appeals to me much more than cd players.
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D O G
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PostPosted: 00:11 - 15 Dec 2011    Post subject: Reply with quote

I use Serato. But Itch, not scratch, much more designed for non-scratching purposes.

Controlled by one of these...

https://www.allen-heath.com/Assets/Images/Products/Xone-DX/L_Gal_3_Xone_DX_Front.jpg

Only had it a couple of months, having had 1210's in the past and borrowing friend's Hercules a few months ago got me back into it and wanting more control.

Slam wrote:
Whilst I'm here, what minimum PC specs would you guys recommend? I run FruityLoops on my machine but it's slow as hell, my pc is ancient


I looked on the Serato website for minimum specs and bought a laptop which exceeded them. Hence I now have an 2.3Ghz i5 with 8GB RAM and a fook off hard disk. It is excessive, but thankfully I didn't have to pay as it is also a work laptop. Laughing
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Shaft
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PostPosted: 02:17 - 15 Dec 2011    Post subject: Reply with quote

oldpink wrote:
you could try the local hospital radio station if they have one
there always looking for volunteers and its a good place to start


Might be a good place to learn the entirely different discipline of radio DJing (although I would suggest the local community station would be a better bet, these days) but I can't imagine there's much call for DnB beat mixers on your average hospital radio outlet.
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smegballs
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PostPosted: 21:34 - 15 Dec 2011    Post subject: Reply with quote

Had a few quick goes on CDJ's at house parties, when everyone is passed out Laughing, but would like to actually get an ear for it and learn it half-decent.

Gonna try and have a few mixing lessons of mates while I'm on my xmas break from uni.

Got some of my friends who are psytrance producers/dj's who have their own gear so that seems the way forward for the moment.

Was pretty fun using a pair of linked CDJ-900s and a USB HDD.
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hellbound
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PostPosted: 14:18 - 16 Dec 2011    Post subject: Reply with quote

Mix miester is quite a good program, I use this to "cheat" when I DJ, make a mix at home and stick it on when I want 15 minutes to go to the bar or for a pee.

add your mp3's you want to mix and it tells you the BPM and then you can adjust where they mix and various other stuff but it pretty much automatically beat mixes for you.
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0l0dom0l0
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PostPosted: 18:03 - 16 Dec 2011    Post subject: Reply with quote

Virtual DJ pro is a good place to start.

Go on youtube and its tells you where to download and how to crack it so you can have flexibility with sound cards and things.

I've got a youtube account called MrDJDomR if you want to take a listen to the 2 mixes I've done using virtual dj.

Also, if you do get virtual dj make sure you get the mix lab 3.1 skin as its much better than the others.
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Marcg868
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PostPosted: 22:59 - 16 Dec 2011    Post subject: Reply with quote

hellbound wrote:
Mix miester is quite a good program, I use this to "cheat" when I DJ, make a mix at home and stick it on when I want 15 minutes to go to the bar or for a pee.

add your mp3's you want to mix and it tells you the BPM and then you can adjust where they mix and various other stuff but it pretty much automatically beat mixes for you.


Its all very well having bpm's. But You have also got to get the Harmonies tight aswell. You can have the beats matched but then the lead melodies etc can be out of sync.

For starting out DJ'ing, borrow this book https://www.amazon.co.uk/How-DJ-Properly-Science-Playing/dp/0593049667

Also learn the records/mp3's your playing and listen to each individual element of the track.

Also learn to count beats. Trance for example 4 beat to a bar and something new happens like a lead melody, a baseline change happens every 8 or 32 bars.
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5v3d3b0
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PostPosted: 01:36 - 20 Dec 2011    Post subject: Reply with quote

Seeing as you want to mix dnb, here is a nice piece of info:
Most dnb tracks have a 32 bar intro, then you get the occasional 16 and 64 bar intros. (im sure there are plenty of variations but out of the many tunes I've played around withthis seems to be the most common)
Once you get comfortable with beat matching (or after you know your software of choice reasonably well) you'll probably want to start double dropping tunes, especially if you mix techstep or jumpup dnb. (in liquid dnb double drops aren't as common because the mids often clash, but a good vocal liquid tune stacked onto a heavy bassline usually sounds good too)
To double drop 2 tunes you'll need to know how long the intro of the second tune is, and usually how long the breakdown of the first one is.
For example, the first one I pulled off was Chase and Status - Take Me Away + Interface - Get Lo
Take me away has a 32 bar intro (from when the drums start) and breakdown, and get lo has a 16 bar intro, so to double drop them you first need to beat match them (as early as you can so you have time to set up for the drop), then half way through the breakdown on take me away you'd drop get lo so they both hit the bassline simultaneously.
To pull it off consistently you need to really know your tunes and plan ahead, although once you get better at it you can anticipate it more often and do it first time.
Anyone can sync on VDJ, and most people can learn how to beat match, but in my opinion what separates the good from the great djs is the little details like double dropping or just finding tunes that sound better than great together.
Maybe one day you'll be triple dropping like Andy C Wink

Andy C triple drop: https://www.youtube.com/watch?v=BkaTJVSvmOs
Chase and Status - Take Me Away: https://www.youtube.com/watch?v=QTM_sdDXk_4
Interface - Get Lo: https://www.youtube.com/watch?v=QgCEnUxUh1M

Also if you mix in key tunes will most likely sound good together, but it's only a rule of thumb and doesn't necessarily need to be followed for mixes to sound good.
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D O G
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PostPosted: 02:47 - 20 Dec 2011    Post subject: Reply with quote

You can get the same effect by using filters, which would be particularly good for dnb. Stick a high pass filter on any track, it will totally remove the bass (and mids, and everything if you twist it far enough).

You can then drop the filter off in time with the other drop on the other track, and it will sound exactly like a double drop you are describing, with a sort of 'whoosh' noise at the same time (the amplitude of which you can vary through other settings).

Just looked at a vid of Andy C using that exact technique.

This one.

If you're not using vinyl, then you can go even further and set individual cue points at the drops and hit them on multiple tracks at the same time.

Key for it not sounding totally shit is track selection tho - always the most difficult part.
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Shaft
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PostPosted: 03:11 - 20 Dec 2011    Post subject: Reply with quote

Svedebo wrote:

Anyone can sync on VDJ, and most people can learn how to beat match, but in my opinion what separates the good from the great djs is the little details like double dropping or just finding tunes that sound better than great together.


Of course, there's an argument that says what separates the great from the good is, the great don't need software, just turntables, their ears and an instinctive sense of what tracks go together.

For sure, most DJs have adopted technology to make their life a bit easier, but the quality guys could still produce the goods, if the tech was taken away tomorrow.
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D O G
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PostPosted: 10:34 - 20 Dec 2011    Post subject: Reply with quote

Shaft wrote:
For sure, most DJs have adopted technology to make their life a bit easier, but the quality guys could still produce the goods, if the tech was taken away tomorrow.


I've listened to a lot of contemporary mixing over the past year, hundreds of hours in fact, all done digitally with Traktor/Ableton Live type software. Crucially I've been stone cold sober when doing so.

I've also listened to the odd mix from 'back in the day' when there was just vinyl. These are noticably worse, less complex and nowhere near as smooth.

My opinion is that the software doesn't make life 'a bit easier', it totally transforms what the DJ is able to do in the live environment.
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