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Can anyone photoshop 35mm prints*very important*

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Bikeless
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PostPosted: 16:10 - 31 Mar 2009    Post subject: Can anyone photoshop 35mm prints*very important* Reply with quote

I'm desperate to get some printed photos photoshopped,can anyone do this,i may be willing to pay if a good job is done.
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Hetzer
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PostPosted: 16:49 - 31 Mar 2009    Post subject: Reply with quote

It would help to give greater detail.
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Bikeless
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PostPosted: 16:56 - 31 Mar 2009    Post subject: Reply with quote

cut a long story short,got married 2 years ago,"professional" photographer used 35mm camera on auto!!! and f*cked my wedding photos,wife is pissed and the saga is ongoing.photos are very dark in areas,eg can't tell hair from background,no definition in blacks.look under exposed to me but i'm no photographer,whole saga is a joke.
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_Will_
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PostPosted: 18:08 - 31 Mar 2009    Post subject: Reply with quote

fireblade2102 wrote:
cut a long story short,got married 2 years ago,"professional" photographer used 35mm camera on auto!!! and f*cked my wedding photos,wife is pissed and the saga is ongoing.photos are very dark in areas,eg can't tell hair from background,no definition in blacks.look under exposed to me but i'm no photographer,whole saga is a joke.


Scan them in, (highest res you can manage) then upload them.
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Hetzer
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PostPosted: 18:51 - 31 Mar 2009    Post subject: Reply with quote

fireblade2102 wrote:
cut a long story short,got married 2 years ago,"professional" photographer used 35mm camera on auto!!! and f*cked my wedding photos,wife is pissed and the saga is ongoing.photos are very dark in areas,eg can't tell hair from background,no definition in blacks.look under exposed to me but i'm no photographer,whole saga is a joke.


That's quite a simple thing to fix actually. They'll never look perfect but you'll be able to see what you're supposed to see. Stick one up on here and I'll show you.

(you do have the digital originals I take it...?)
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Bikeless
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PostPosted: 19:33 - 31 Mar 2009    Post subject: Reply with quote

there were no digital originals,they were all taken on film(this is my problem) and when i scan them they look even worse,very blotchy and pale,might be my crap scanner.
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Hetzer
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PostPosted: 21:15 - 31 Mar 2009    Post subject: Reply with quote

fireblade2102 wrote:
there were no digital originals,they were all taken on film(this is my problem) and when i scan them they look even worse,very blotchy and pale,might be my crap scanner.


Oh. Well then you're pretty much fucked. A digital can still see stuff the eye can't. A film is fixed. Do you have the negatives? Re-printing those might have a chance if done properly.
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Itchy
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PostPosted: 21:18 - 31 Mar 2009    Post subject: Reply with quote

Buy or borrow a film scanner? , scan them in and then edit them in photoshop? .

It can be mildy to very expensive to get them professionally retouched , though running them through some stock photoshop filters and applying the dodge and burn tools isn't too hard if you use them in 0.5% increments.


Negatives should give you close to 16-20 million mega pix equivilent and thus plenty to play with.
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chris-red
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PostPosted: 05:17 - 01 Apr 2009    Post subject: Reply with quote

You should be able to get an alright negative scanner for under £100, scan them in and then you will get decent res digi photos. I may know some people from uni that will do it.
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Bikeless
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PostPosted: 08:57 - 01 Apr 2009    Post subject: Reply with quote

thanks for the ideas,i will see if i have the negatives,i'm not sure,there has been a lot of twoing and froing between us and the photographer,i just need to get about 20-30 pics done for an album..didn't know until the day that he was shooting with film only.
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Wafer_Thin_Ham
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PostPosted: 09:01 - 01 Apr 2009    Post subject: Reply with quote

As said, get the negatives scanned in and people will do what they can.
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Hetzer
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PostPosted: 09:17 - 01 Apr 2009    Post subject: Reply with quote

fireblade2102 wrote:
thanks for the ideas,i will see if i have the negatives,i'm not sure,there has been a lot of twoing and froing between us and the photographer,i just need to get about 20-30 pics done for an album..didn't know until the day that he was shooting with film only.


The photographer sound like a total cowboy arsehole. If he couldn't afford to go digital he should at least have made sure he was doing a proper job with the film. Somebody's wedding, and he made a fuckup like that. Wanker.
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Bikeless
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PostPosted: 09:57 - 01 Apr 2009    Post subject: Reply with quote

Hetzer wrote:
fireblade2102 wrote:
thanks for the ideas,i will see if i have the negatives,i'm not sure,there has been a lot of twoing and froing between us and the photographer,i just need to get about 20-30 pics done for an album..didn't know until the day that he was shooting with film only.


The photographer sound like a total cowboy arsehole. If he couldn't afford to go digital he should at least have made sure he was doing a proper job with the film. Somebody's wedding, and he made a fuckup like that. Wanker.


hit the nail on the head hetzer,the bloke is a twat,going to try and get the negatives off him this week and maybe our money back.
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stinkwheel
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PostPosted: 12:24 - 01 Apr 2009    Post subject: Reply with quote

You can do a hell of a lot with film at the enlargement stage if you know what you are doing. Especially with under rather than over-exposed film.

I'd suggest a darkroom rather than a PC would be a good place to sort the problem you describe.

On an underexposed film, the detail is most likely there, just very dark. By using techniques like dodging and burning, you can expose different parts of the image for different lengths of time.

Dodge and burn are not originally photoshop effects, they are a photoshop effect that replicates a darkroom technique.

For example. If I had well exposed people but a very dark background, I could expose the paper for a good image of the people, apply a mask over their outline image then expose the background parts for much longer.

I did photography at school (wet photography). My exam piece was an apple sitting next to a row of snowy footprints. I exposed the apple at f5.6 for 5 seconds then exposed the snow at f22 for three minutes. If I'd done only the former, I'd have got an apple on a white square, the latter would have given a black circle in snow.

You need to find a good film photographer, a great deal can be fixed at the enlargement stage if you know what you're doing.
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iooi
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PostPosted: 20:54 - 01 Apr 2009    Post subject: Reply with quote

Hetzer wrote:
The photographer sound like a total cowboy arsehole. If he couldn't afford to go digital he should at least have made sure he was doing a proper job with the film. Somebody's wedding, and he made a fuckup like that. Wanker.


There are a lot of proper photographers who would say that film is by far the best medium and only cowboys use digital.
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Hetzer
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PostPosted: 21:32 - 01 Apr 2009    Post subject: Reply with quote

iooi wrote:
Hetzer wrote:
The photographer sound like a total cowboy arsehole. If he couldn't afford to go digital he should at least have made sure he was doing a proper job with the film. Somebody's wedding, and he made a fuckup like that. Wanker.


There are a lot of proper photographers who would say that film is by far the best medium and only cowboys use digital.


There are a lot of proper people who just want a decent picture, and couldn't give an arse if it's film or digital. At least with digital it's a lot harder to fuck up.
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G
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PostPosted: 07:30 - 03 Apr 2009    Post subject: Reply with quote

stinkwheel wrote:
You can do a hell of a lot with film at the enlargement stage if you know what you are doing. Especially with under rather than over-exposed film.

I'd suggest a darkroom rather than a PC would be a good place to sort the problem you describe.

Exactly what I was thinking as I read through the thread Thumbs Up.

Often it's actually easier to save a bad film shot in the Darkroom that touch up a dodgy digital shot.

I'd find a decent photography place with darkroom and see what they can do with the negatives.
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